Maryland Classic Youth Orchestras Audition for MCYO

THANK YOU FOR YOUR INTEREST IN AUDITIONING FOR THE MARYLAND CLASSIC YOUTH ORCHESTRAS OF STRATHMORE!

Each season, all musicians (returning and new) must audition for the MCYO Orchestras. Our auditions takes place in mid to late August (a week or two before MCPS school system resumes in fall).

Registrations will go online in mid-June, and all audition requirement updates and new orchestral excerpts will be posted at that time. We take auditions from all "common"orchestral instruments. (Harp is included, but does NOT include piano or saxophone.)

Part 1 Check your eligibility

Part 2 Explore Audition Requirements

Part 3 Schedule your Audition

Part 1: Membership Eligibility

Please be sure that your child can meet our MCYO eligibility requirements.

MCYO strongly encourages its’ musicians to participate in their school music programs. The daily ensemble experience greatly enhances our program.
MCYO requires that all musicians be currently taking private lessons on their orchestra instrument. It is essential that musicians receive this guidance throughout the entire season.
Applicants with noted absence or disciplinary problems in the past season(s) will require approval from the MCYO staff PRIOR TO being allowed to re-audition for MCYO programs. (Please contact the office if you have any questions regarding this)
Each musician is assessed an annual tuition/membership fee. (Need-based scholarships are available for musicians to help pay for private lessons and/or MCYO membership fees.)

Part 2: Audition Guidelines and Requirements

All students will be assessed based on their performance of:

Auditions will be conducted this fall at Music Center at Strathmore – August (Week before MCPS begins)
To be considered for multiple ensembles, musicians will need to audition TWICE, for each ensemble. (Only exceptions are Small Ensembles, Future Stars, Preparatory Strings, Concert Orchestra and Kamerata!. You will be considered for the mentioned ensembles without having a 2nd audition)
Chamber Music Program (CMP) – Information/registration available here.
Musicians will need to schedule a time slot during their Audition Registration procedure. (Scheduling Instructions)
Requirements for each orchestra & ensemble can be found here.
- Please check individual ensemble requirements carefully
Tips for preparing an audition

Consideration for Multiple Ensembles: You will need to audition for BOTH Ensembles. You will have an option to allow this in the registration system. The only exceptions are Future Stars and Preparatory Strings. If you are auditioning for Chamber Strings and Preparatory Strings, you do NOT need to audition twice to be considered for Future Stars and/or Preparatory Strings.

Part 3: Schedule your Audition (AUDITIONS CLOSED FOR 24-25)

Deadline for Audition Registration – August 9, 2024, 11:59PM
Parents should sign-up as “I am applying for someone else”. This is the simplest method to register, as minors are required an approval process.
This is a two-step process. You will first complete the audition registration and then must schedule a time slot.

Audition Registration Fee: $65
- Double Audition: Additional $15 fee, if the musician would like to be considered for more than one ensemble.
- Late fee of $15 will be incurred starting August 10, 2024 for Audition Registration
- These fees are NON-REFUNDABLE
Fee Waiver: MCYO and Acceptd does offer financial assistance on the application fees, for eligibility please refer to Acceptd’s webpage.

AUDITIONS ARE CLOSED FOR 2024-25 SEASON

Any technical questions regarding Acceptd application system can go to support.getacceptd.com or support@getacceptd.com.
Any other questions can be directed to MCYO, please contact us for questions.

Tips for a great audition

First of all, be “conversant” in your scales. Think of scales as a means to introduce yourself to the conductor. They need to be played with confidence, with a big, full tone, and played well in-tune. Don’t ever take scales for granted! Competence in scales gives one a foundation for being able to play music skillfully. Scales are the vehicles for conquering the technical demands of your music and for conquering sightreading, which I will address later.

The next part of your audition is your solo. Are the conductors interested in technical solos? Yes, BUT not if MUSIC is sacrificed! We would prefer to hear something played with beauty and expression, with style and a lovely tone, and with excellent tuning, rather than a technical piece that sacrifices any of those qualities. Technique for technique’s sake is not music to us. Until you are playing expressively and in tune, lots of notes are not going to impress us. If you play fast and sloppy on your prepared piece, we must consider that your practice habits need improvement. Since musicians generally work on their solos over a long period of time, it is important to us that you display thorough preparation, especially considering the fact that the MCYO orchestras rehearse only once a week, and there are only a few rehearsals before each concert. We must have confidence that you can prepare well.

Sightreading! You might say, ugh! But its importance cannot be emphasized enough. The first two aspects of sightreading that are important are: (1) recognition of the key of the piece (scale knowledge!) and (2) good reading of rhythms.

Not only the correct execution of rhythms, but the proper counting of note values is essential. Our orchestras are large in size in order to emulate the symphony orchestra setting.

Can you imagine a large group trying to play together without the fundamentals of good counting skills? One might say, "I can’t sightread well, but I can take the music home and work it out." Included in learning to play one’s instrument well are good sightreading skills, especially for the orchestra setting. Again, with so few rehearsals to prepare for concerts, it is essential that we sightread music well so we can start work right way. Time is of the essence.

We do expect you to take your music home to work on details, but that does not change the importance of skillful sightreading. Sightreading skills are developed just as normal reading skills are developed. As in every learned skill, there is a process. You learn your ABC’s (scales) and you start by reading easy music. You read more and more to build your "musical vocabulary". As you advance, you read with greater fluency and knowledge.

To reach a high level of proficiency in sightreading one must have an advanced vocabulary (scale knowledge, key signature and rhythmic recognition), and one must have the ability to include expressive qualities. This would put the sight-reading of the advanced musician near a performance level. You can practice for sightreading! Just do it! Start by reading something easy.

Be sure you

observe the key signature
count carefully
watch for accidentals and rhythmic changes
observe your dynamics
play at a tempo where you feel you can get through the music without stopping (slower is better)
try your best to be expressive!
look up the words at the beginnings of your music, like "andante", "allegro", "maestoso", "giocoso", etc., since they are clues about the speed and/or style of the music.